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Due to the accident, Baby gets diagnosed with Tinnitus (Archer fans will understand how bad it can get) and listens to music to drown out the humming in his ears. Baby witnessed his parents’ death when they got in a car accident. His mother, who was a singer, brought music into his life and bought him his first iPod.
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We soon learn why music has an all consuming power over Baby. His carefree nature compels us to put on our dancing shoes and shake our heads with the music. While on a coffee run (to a shop called Octave), we follow Baby dancing to ‘Harlem Shuffle’, while the lyrics show up on screen as graffiti, another way in which music pushes the plot ahead. Visual cues can be found everywhere in the movie. What follows is a high speed car chase, with expert timing like Grand Theft Auto, but with more morals. We can immediately see how uncomfortable he is with his job.
BEST SONGS FROM BABY DRIVER SOUNDTRACK MOVIE
The movie starts by throwing us into a bank robbery and Baby, the protagonist played by Ansel Elgort, stays in the car, enjoying his music on his iPod while his colleagues commit the crime in the background. But, what made this movie stand out for me was how its songs are woven into the movie, becoming an important character that helps drive the movie forward.
BEST SONGS FROM BABY DRIVER SOUNDTRACK TV
He uses callbacks time and again, like Baby repeating whatever he casually sees on TV to people in his life (like Monsters, Inc. Edgar Wright incorporates comedy in all its forms in his movies. An example would be the seamless way he transitions from one location to the next, by moving a character or vehicle in the direction the shot will transition to, or visual puns like putting up billboards of companies like Boost to highlight the fast nature of the movie. The techniques that are unique to his film language are all present in this movie. We all know and love Edgar Wright for his masterful visual comedies, like Shaun of the Dead, and Scott Pilgrim Vs The World. Even with our eyes closed, just listening to the scene gives off a sense of urgency due to the precisely calculated intensity of the bullets.Įdgar Wright’s Baby Driver is, as he describes it, “a thriller with moments of humour to alleviate tension”. But what we had not seen was a sequence which makes us feel like the bullets and bombs are dancing to the music. We have seen these go south even more often. We have seen gun and drug deals take place on cinema screens hundreds of times. What follows is a Mexican stand-off situation in which guns are fired perfectly synchronised to the beat of the 50s Latin rock song ‘Tequila’. One of the crewmen finds the deal fishy and starts firing at the Mexican gun vendor thinking that it is a set up. Four crewmen have to pick up guns for a robbery they have to commit the next day. It shows us how well songs can be integrated into a scene. In my opinion, the scene that captures this for Edgar Wright’s Baby Driver is about an hour into the film. The essence of a movie or TV show can usually be distilled into a scene which helps us figure out what makes it stand out.